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地板时光年会专贴

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1#
发表于 2006-11-21 03:31:37 | 显示全部楼层 回帖奖励 |倒序浏览 |阅读模式
地板时光年会回来,贴一些相关内容。

才从第10届地板时光年会上回来,感触很深。Greenspan (chairman)and Serena Wierd (vice-chairman) 做了专题报告。Rocki 医生报告中述说她15年前找Greenspan做地板时光时,Greenspan 谈到她小孩将来上大学怎么样,她还感到迟疑。而现在她告诉大家她的小孩将在明年春上大学。整个过程充满了感情和眼泪。

综合我这几天的学习和会议,地板时光很能调动小孩的积极性,引导他们主动走出
自己的世界。有些小孩对ABA不应,但2-3个月地板时光训练后能主动找大人交流。

我专门去问了一下Serena关于地板时光在中国的情况。了解到目前中国只有香港才有训练
师。不过大家也不要失望,因为地板时光是主要由训练师训练家长,再由家长训练
小孩。有条件的家长可去培训,无条件的家长可买书来自己学习。我还打听到Greenspan的“CHILDREN WITH SPEICAL NEEDS” 有中译版,是台湾发行的。有兴趣的家长可上网寻找。

关于FLOORTIME的信息,在中国香港有一个点开始做。有感兴趣的家长可问我要,我
就不贴在此,免得有“托”的嫌疑。
2#
 楼主| 发表于 2006-11-21 03:37:18 | 显示全部楼层

re:Stanley I. Greenspan...

Stanley I. Greenspan, M.D.
Serena Wieder, Ph.D.

MOBILIZING EACH OF THE SIX FUNCTIONAL DEVELOPMENTAL LEVELS

I. Shared Attention
A. Use the child’s individual sensory and motor profile to draw him into shared attention (e.g., more visual experiences for the child who especially enjoys looking).
B. Harness all the available senses, as well as motor capacities and affects (e.g., involve the child in interactions that involve vision, hearing, touch, and movement, coupled with highly enjoyable activities).
C. Use both constructive and playfully obstructive strategies (e.g., dance or run together with the active child; build a fence with your arms around the child who likes to avoid or run away).
D. Stretch the child’s capacity for shared attention by increasing the interactive circles of communication rather than trying to get the child to focus on a particular object or toy.

II. Engagement
A. Follow the child’s lead in order to engage in interactions that bring him please and joy.
B. Build on these pleasurable and enjoyable interactions.
C. Join in the child’s rhythm in terms of affect, visual, auditory/vocal, and motor movements.
D. Join with physical objects of the child’s pleasure (e.g., put the car he is fascinated with on your head and let him roll it on your head as though it were a mountain).
E. Attempt to deepen the warmth and pleasure by giving priority to his comfort and closeness (allow him to lie on you or cuddle or rock with you or stroke your hair for long periods of time).
F. If necessary, use a little bit of playful obstruction to entice him to focus on you. (Engagement involves a range of emotions, from pleasure and warmth to annoyance and assertiveness.)

III. Two-way, purposeful interactions with gestures
A. Be very animated and attempt to exchange subtle facial expressions, sounds, and other gestures (i.e., entice her into a rapid back-and-forth rhythm).
B. Go for the “gleam in her eye” (i.e., entice her with your animated exchanges into an alert, aware, involved back-and-for pattern).
C. Open and close circles of communication by building on her natural interests, inspiring her to respond to what you do. Keep it going as long as you can.
D. Treat everything she does as purposeful, in order to harness circles of communication (flapping hands could be the basis for an interactive flay-your-hands dance or for a game of waving at each other).
E. Encourage initiative by avoiding doing things for him or to him.
F. Support initiative by challenging him to do things to you (e.g., when roughhousing, get him to jump on you or push you down or climb up to your shoulders, rather than simply picking him up and swinging him or doing other things that may be fun, but do not support his initiative).
G. Help hi go in the direction he wants to by initially making his goal easier to achieve, such as moving the desired ball closer to him.
H. Help him be purposeful by creating a goal where none may appear to exist (e.g. he is moving his car around in a back-and-forth motion and you might stand behind the schoolhouse and claim to need a delivery).
I. Over time, build obstacles between him and his desired goal to increase the number of circles of communication (block his access to the door or turn the door knob the wrong way).
J. As needed, be playfully obstructive (build fences around him if he is aimless; get between him and his goals when he is repetitive or perseverative (e.g., get stuck behind the door he’s opening and closing.

IV. Two-way, purposeful problem-solving interactions
A. Extend circles of communication by creating extra steps (e.g., play dumb so he has to show you how to open the door; when she is moving the car to the school, you exclaim and gesture that you first need a delivery at the hospital).
B. Extend circles of communication by being playfully obstructive and creating interesting barriers or obstacles to his goals.  
C. Work up to a continuous flow of circles (e.g., some children will gradually go from three circles to five to ten, etc,; others will get into a continuous flow of thirty plus circles quickly).
D. Challenge her to close circles of communication (e.g., the child is moving her car but ignores your desire t have your dolly go for a ride in it. You block her car with your hand while you gesture in an animated fashion for her to give the dolly a ride.).
E. Combine affect with action and interaction (i.e., always be animated and show affect through voice and facial expressions while creating interactions).
F. Increase the interactive range, including affects and emotions (e.g., child is just hugging dolls and the wolf comes to make trouble, so the child becomes challenged t o knock the wolf away and increase assertiveness).
G. Increase interactive range in different processing areas, including:
1. Visual/spatial (e.g., chase, hide-and-seek, treasure hunt games)
2. Motor planning and sequencing (e.g., obstacle courses, search games, child has to use two or three steps to open the latch to find the cookie). Perceptual motor (e.g., looking/doing interactions such as rolling, throwing, and/or kicking Nerf balls back and forth, reaching for desired objects on a moving string (while crossing the midline)).
3. Auditory processing and language (using sounds and, when possible, words to communicate (e.g., use animated, compelling vocal tones to draw child’s attention or to communicate (e.g. use animated compelling vocal tones to draw child’s attention or to indicate safety, danger, approval, disapproval, or excitement)).
4. Imitation (draw child into copycat interactions where child is shown how to reach for or get something he wants or to make a sound that will get him something he wants).

V. Elaborating ideas
A. Encourage the use of ideas in both imaginative play (e.g., hugging the dolls) and realistic verbal interactions (e.g., “open” door).
B. Use ideas off of affect or intent (i.e., “want juice!” rather than labeling juice in a picture).
C. W(ords)A(ffect)A(ction) – Always combine words or ideas together with affect and action.
D. Chit-chat using words all the time.
E. Encourage imagination through using familiar interactions for pretend play (e.g., feeding, hugging, or kissing dolls).
F. Jump into a drama that your child has begun. Become a character and ham it up. Communicate mostly as the character, rather than as yourself.
G. Alternate between being a character in a drama of your child’s choosing and a narrator or sideline commentator.
H. Periodically, summarize and encourage your child to move the drama along with a question or challenge.
I. Entice your child into long dialogues.
J. Create challenges where ideas or words are necessary (e.g., “up” because the needed action figure is up on the shelf). Keep extending the dialogue.
K. Encourage the use of all types of ideas (symbolic expression) (e.g., pictures, signs, complex spatial designs (building a city), and acting out roles oneself).


VI. Building bridges between ideas (emotional thinking)
A. Close all symbolic circles in both pretend play and reality-based dialogues (e.g. challenge the child always to respond to what you are saying and doing, just as you respond to what she is saying and doing).
B. Challenge the child to connect different ideas or subplots in a drama.
C. Whenever the child seems confused, brings in something from left field, or seems fragmented or piecemeal in her thinking, challenge her to make sense and be logical. Do not supply the missing pieces of logic (e.g., “I’m confused. We were having a tea party and now we’re flying to the moon?
What happened?”)
D. Be patient and summarize the confusing elements. If the child is not able to build bridges between his own ideas, provide some multiple choice possibilities. Avoid supplying the answer or taking control of the discussion.
E. Challenge with “w” questions, including “what” “where” ‘when” “who” and “why.”
F. When the child ignores or avoids responding to “w” questions, such as “what did you like at school today?” through out some silly possibilities to get the child thinking (e.g., “Did the elephant visit your class today?” or “Did you see your boyfriend (or girlfriend) in class?”)
G. Explore reasons for actions or feelings (e.g., “Why are you attacking me?”).
H. Use multiple choice as needed, always putting the likely answer first and the unlikely one second.
I. Have your character in the pretend play create unexpected situations to challenge the child towards creativity and new solutions. Use humor, conflict, and novelty.
J. Challenge the child t broaden the emotional range in the dramas (e.g., so that it includes caring as well as assertiveness and aggressions).
K. Encourage reflection on feelings in both pretend dramas and reality discussions (e.g., “why do you want to go outside?” or “what’s the reason for the attack?”)
L. Gradually increase the complexity of reflective thinking (e.g., challenge child to give different reasons or motives for actions or consider different views – “How does Sally feel after Mary took her toy” and “How does Mary feel?”)
M. Challenge child to give opinions rather than facts (e.g., ‘what color do you like best and why?” rather than “which color is this?”)
N. Enjoy debates and negotiations, rather than simply stating rules (except where the rule is absolutely essential).
O. Encourage choices and discussions of choices.
P. Encourage and challenge the child into the back-and-forth use of words, instead of focusing on correct grammar.
Q. Increase spatial thinking (e.g., treasure hunt games, junior architect games – lay out a whole city for the action figure drama, etc.).
R. Encourage motor planning and sequencing capacities (e.g., draw diagrams for a tea party or house decorations or attack strategies for space wars, etc.).
S. Encourage understanding and mastering concepts of time by challenging the child to use the past, present, and future (e.g., “What are the space monsters going to do tomorrow?” or “Yesterday we went to the zoo. What would you like to do tomorrow?”)
T. Encourage understanding and use of quantity concepts (e.g., how many cookies should each doll at the tea party have?).
U. Pre-academic or early academic work, complex problem-solving, and social skills should be based on providing an understanding of basic concepts (i.e., connecting ideas) through emotional interactions.
For example:
1. In math, negotiate using candies, cookies, or coins to learn adding or subtracting. Keep the numbers small to avoid rote memory. Eventually work on visualizing the objects and doing the calculations using images.
2. In reading, visualize or picture what is being read (whether the parent or child reads it) and then pretend it out and/or discuss it. Embellish the ideas further.
3. In writing, initially use flexible spelling and word choice and focus on interactive, creative stories and communicating needs or opinions. Later, work on correct spelling, etc.
4. For problem-solving and social skills, work on anticipating by visualizing what may happen later or tomorrow, including positive and negative situations. “Picture” the situations, feelings involved, typical solutions, and alternative ones.
V. In both pretend and reality-based conversations, challenge towards higher levels of abstraction by shifting back and forth between the details (the trees) and the big picture (the forest). For example, periodically wonder how all the things the child has been talking about fit together.
W. Gradually expand the child’s range of experiences (without overload or over-stimulation) because emotionally-based experiences are the basis for creative, logical, and abstract thought.
X. Challenge the child to symbolize auditory, visual-spatial, tactile, motor planning and affective capacities together (e.g., building a city [visual-spatial, motor planning, tactile] with different dramas being acted out [auditory-verbal, thematic, imaginative] involves creative, affective interests being
played out in a pattern of integrated thinking).
VII. Tailor your interactions to the child’s individual differences in auditory
processing, visual/spatial processing, motor planning and sequencing, and
sensory modulation.
A. Profile the child’s individual differences based on observation and history.
B. Work with the individual differences. Utilize natural strengths for interaction (e.g., visual experiences for the child with relatively strong visual/spatial capacities). Gradually remediate vulnerabilities (extra practice for listening to and using sounds and words for the child who has a receptive language or auditory processing challenge; extra soothing for the sensory-over reactive
child; and/or extra compelling and animated for the sensory-under active child).
VIII. Simultaneously attempt to mobilize the six functional emotional
developmental levels (attention, engagement, gestures, complex preverbal problem-solving, using ideas, and connecting ideas for thinking). For the younger child or child with developmental challenges, the later levels will be mastered as the child develops. (See Greenspan and Wieder, The Child with Special Needs.)
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3#
 楼主| 发表于 2006-11-21 03:55:48 | 显示全部楼层

re:这是关于语言学习中的一些方法,理疗及...


这是关于语言学习中的一些方法,理疗及工具的信息:

Relationship/Affect and Development of Speech Skills
Diane Lewis, MS, CCC-SLP


Components Necessary for Intelligible Speech

The Basics

Cranial--Sacral Therapy
www.upledger.com
....A gentle, non--invasive, hands on approach used to evaluate & enhance body function. Strengthens overall health, motor coordination, sensory perception, range of motion & neuromuscular function.
....Semi--closed hydraulic system contained within a tough membrane which envelopes the brain and spinal cord.
....Restrictions can impact emotions, movement, respiration, phonation & articulation.respiration, phonation & articulation.

Lymph Drainage Therapy
....www.upledger.com
....LymphLymph--transports fluid in a uni--directional manner
....Drain stagnant fluids, detoxify, regenerate tissues, filter out toxins & foreign substances & maintain a healthy immune system.
....Increased range of motion of muscles in neck, mouth, face regions.
....Autonomic nervous system
....Bruno Chikly MD --Lymphatic Drainage Therapy

Sensory Integration
....http://www.sensoryint.com/
....Tactile & Proprioception
. Vestibular . Vision & Auditory . Regulation . Availability for Movement



Music
....Regulation & Attention
....Rhythm & Intonation/Prosody
....Formulation of Vowels + Consonants, Words
.... Respiration & Phonation and Sentences


NeuroDevelopmental Treatment
((BobathBobath))
....www.ndta.org
....Normalization of muscle tone for function
....Therapeutic handling--hierarchy Respiration, Phonation, Articulation (jaw--lipslips--tongue)tongue)
. Hypotonicity (low tone) . Hypertonicity (high tone) . Mixed tone


Beckman StretchesBeckman Stretches
....http://www.beckmanoralmotor.com/
....Increasing strength in jaw, lips, tongue
. Evaluation . Exercises



Prompts for Restructuring Oral Muscular
Phonetic Targets (PROMPT)

www.promptinstitute.com
....Planes of movement and the whole body
.... Grading of movement . Specific sound production . Sequencing of sounds



Horn, Bubble, Straws and Bubblegum Programs
....Sara Rosenfeld--Johnson and Talk Tools
....http://www.talktools.net/
. Sensory . Speech . Respiration . Jaw, Lips, Tongue



Kaufman Speech Praxis Test
....Nancy R. Kaufman
....Speech Praxis Test for Children
. Wayne State University Press, Detroit, Michigan. 1995 . Organization-Hierarchy the dyspraxic child.

....Information to teach sequences of sounds for OralOral--Motor Appendix, ABLC
The AffectThe Affect--Based Language Curriculum (ABLC)
....Stanley I. Greenspan, MD & Diane Lewis, MA, CCC/SLP .  

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4#
 楼主| 发表于 2006-12-2 02:19:32 | 显示全部楼层

re:我最近在研究ABA &FLOORTIME...

我最近在研究ABA &FLOORTIME(是DIR的一种最重要的方法)。从许多过来的家长那里
也了解到总体而言,ABA比较机械,孩子训练后学习好像还不错,但还是机械的理解
一些问题,很难有发自内心的想与人交流。只有静态的社交能力(比如看见人说“你
好”), 但没有动态的社交能力(比如除了“你好”后如何与人进行真正意义上的交
流)。DIR 能通过抓住孩子的兴趣从而按照6个阶段培养(GREENSPAN 的书中有介绍)出
孩子发出内心的交流欲望,解决问题的能力。另外一种比较好的是RDI。 它也是侧
重于孩子的动态的社交能力。。但与FLOORTIME其是相对立的。
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5#
 楼主| 发表于 2006-12-12 00:55:33 | 显示全部楼层

re:[QUOTE][b]下面引用由[u]马拉...

下面引用由马拉松路上发表的内容:

和地板时光相对立到底是怎么解释呢

地板时光是以孩子为中心,为领导,大人围着孩子转,孩子自己开始一项活动。大人
利用他对该项活动的兴趣而适当地插入,与之进行交流互动从而达到交流的目的。
而RDI是以大人为领导,大人开始一项活动,让小孩跟你的思维来转,从而达到交流
的目的。
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6#
 楼主| 发表于 2006-12-13 00:48:30 | 显示全部楼层

re:我想冯帮主和秋爸爸都说得有道理。最开始我...

我想冯帮主和秋爸爸都说得有道理。最开始我也像冯帮主担心的一样,只由小孩的兴
趣,小孩一般都有机械刻板行为,那怎么办?

我最近才开始在一个地板时光培训师那里培训。我带小孩去,小孩启动活动后,她
告诉我当时该做什么。我也问过她这个问题。她说要在跟小孩有共鸣的时候转移他
的兴趣而且泛化(时间,地点,人物,东西)避免刻板重复行为。但因为这种小孩一
般感官统和不好,因此要注意每次变化或转移要一点一点地来,否则小孩会受不了
(OVERWHELMING)而不能跟随你的输入,提前结束回合。当然说起来容易做起来难,
这也需要在实践中慢慢体会。

而且她也告诉我最开始几次特难。因为这种小孩习惯别人告诉他怎么玩东西,而不
是自己能启动一个活动。ABA就是这样由老师启动活动。但是这是小孩必须的。我小
孩第一次去屋子里有很多玩具,但他不主动玩,就在那围着我走来走去。我也着急
啊。但她说过几次就会慢慢好些。第二次小孩就开始有一些自己找东西玩的情况了。
而且第二次的CIRCLE(回合)比第一次多了许多。我感觉在她们的指导下是比较容易
跟小孩勾对上(HOOK),而且不容易玩掉(LOST KID),因此回合明显增多。如果是自
己跟小孩玩很容易小孩突然就不理你了或注意力转移了。

在一般最开始是要由小孩启动一项活动,因为是小孩启动的,所以他肯定感兴趣。
当他开始之后,大人介入,引起他的关注,通过设置障碍,加入新的因素而达到转
移他的刻板玩耍方法,将他推向更高更深的交流中。我觉得秋爸爸说得对“如果孩
子启动的一个活动,大人一定要积极参与,并把它引向正确的方向.”这也正是FLOORTIME的
要点之一吧。

我才开始两次培训,我想在将来每周一次的培训中会有更多的切身体会吧。
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7#
 楼主| 发表于 2006-12-14 06:06:28 | 显示全部楼层

re:----- Original Messa...

----- Original Message -----
From: Julia Elhauge
To: floortimeMA@yahoogroups.com
Sent: 7/2/2006 9:57:17 AM
Subject: Re: [BostonFloortime] Floortime vs RDI

To really get the differences, you should read the books: Autism/Aspergers:
Solving the Relationship Puzzle by Steve Gutstein for RDI; The Child With
Special Needs by Stanley Greenspan for Floortime (though both have written
many other books.)

Basically, and I hope someone else who is better at this chimes in...
Floortime has you join the child in his interests and his play, with this
basic goal: getting the child to close circles of communication with you,
like a conversation but with lower standards. You are playfully obstructive
in your interactions, like another child might be, trying to create small
problems that the child will problem solve or negotiate with you, closing
more circles of communication. You would use language of a simplicity that
child can understand. For example, my son likes to line up his little cars.
We would enter with two new cars, and put them in line. He, being a control
freak, would object to wherever we put them. We would put on a childish
stubborn face and say we don't like the place he wants us to go. We would
then negotiate where our cars would go, perhaps challenging other cars to a
race to see who wins each spot, or opening a new parking area, etc. By
entering the child's play, we catch them where they are most motivated to
communicate with us rather than ignoring us. I have messed up his control;
he must deal with me. Of course, we are playful and fun, as we are trying
to make them enjoy the interaction, and not induce a meltdown. Some call
this a child-led intervention because we allow the child to chose the
activity to capitalize and his motivation, but since the adult is entering
with an agenda, this is not really true. Floortime develops communication
skills, social negotiation, flexibiilty and problem solving ability, and
expands and develops imaginary play skills so important to the development
of abstract thought later on. As the child's social competance improves, we
hope it generalizes so he will feel comfortable trying to negotiate with
others rather than withdrawing, and that he will enjoy playing with us and
decide playing with others might be fun.

RDI, like Floortime, has a specific set of developmental levels and steps to
guide the parent though the process. It is similar to Floortime in that it
targets the development of social motivation from within the child - i.e.,
develops a desire in the ASD child that NT kids have, a desire to interact
with others for the pleasure of it. In both programs, the parent is the
primary "therapist" because the child is most attached to the parent, and
most motivated to interact with you over all others. In RDI, you play
specific interactive games of the parent's choosing. Parents can use games
developed by Gutstein, but are encouraged, once they understand what they
are trying to acheive at each step, to develop their own games and
incorporate them into daily life/chores. We do a fun coordination game
setting the table - we eat take say, a plate, and copy/coordinate each
others dance to the table, and place the plate down at the same moment. He
has to reference me (look at me to see what I'm doing) and imitate, and
coordinate (modulate his movements to mine at the same time- notice he can't
be in control or it won't work). To coordinate, you have to give up control
of your own agenda, and follow the leader. And its more subtle than that -
with proper coordination, there is no official leader, and you are both
matching each other. We make it very silly and fun (butt shaking, driving
the plate) so there is emotion sharing too. And when we are done, I
spotlight, sometimes he does - we high five, and talk about how fun it is to
set the table TOGETHER. (Spotlighting is verbalizing the best moments and
what you want them to remember - our kids often have recall problems).
There are many other things too, like heavy use of declarative language over
imperative ("I see Nicholas' shoes with no feet in them" over "put on your
shoes.") and incorporating the unexpected, so they will look at you not
because they are prompted, but because it might be entertaining.

Sally who runs this site can best tell you how to start Floortime, though I
would start by buying the book and reading it. She offers free floortime
training monthly most years, though I think not in the Summer. You could
also contact Arleen Schwartz, M.Ed., a Floortime consultant with limited
space opening up in September, who could train you weekly in your home as
well as work iwth your child Aschwa781@aol.com

To start RDI, you would also buy the book (amazon is fastest and cheapest,
don't use the RDI site), contact the local RDI consultant in Brookline, Dr.
Lauren Weeks (listed in phonebook), and go the the RDI site,
www.rdiconnect.com which tells you how to jump start things while waiting
for a consultant.

The difference between both these interventions and the traditional
behavioral approaches is that behavioral interventions get them to do proper
behaviors by breaking down everything into small achievable steps, by giving
an external reward - sticker, snack, motor break, whatever. RDI and
Floortime develop the internal social motivation that drives NT kids to
learn and imitate; the intervention is emotional.

Julia E
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8#
 楼主| 发表于 2006-12-14 23:29:41 | 显示全部楼层

re:Bin Feng:RDI 两天的...

Bin Feng:

RDI 两天的培训只是简介,给你一个大概的综合性的评述,阐述它的多种层次,放了
一些VIDEO来说明它的方法,以及一些统计报告证明RDI如何有效。

我觉得Gutstein 的商人味较浓,与Greenspan相比较,Greenspan的学者风范
一览无遗。而且Greenspan的敬业负责的精神也令人感动。他在年会上做完他的报告
就马上离开现场返回诊所,原因是能多看一些孩子,多给一些孩子诊断。
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9#
 楼主| 发表于 2006-12-16 00:04:54 | 显示全部楼层

re:昨天又去了一次FLOORTIME,培训师...

昨天又去了一次FLOORTIME,培训师指导我给孩子作,然后跟她聊,觉得还有一些收
获。她告诉我要随着孩子的情绪而调整我的声音,音调,面部表情,说话节奏等。
而且要随时读出孩子的面部表情和动作来猜测孩子的想法而调整自己的策略,从而
达到最佳效果。 希望能用在实际生活中。她说昨天我与孩子互动的CIRCLE数又比上
次多了(这是我第三次去她那里)。
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10#
 楼主| 发表于 2008-12-18 11:59:58 | 显示全部楼层

re:[QUOTE][b]下面引用由[u]gu...

下面引用由guaiguai发表的内容:

网上有许多卖地板时光的DVD,不知道哪一种适合自学,http://www.icdl.com/bookstore/catalog/index.shtml ,书太多了请问楼上的高人知道哪一种好啊?

Two books:
(1) Engaging Autism: Using the Floortime Approach to Help Children Relate, Communicate and Think
by Stanley I. Greenspan, M.D. and Serena Wieder, Ph.D.
(2) The Child With Special Needs: Encouraging Intellectual and Emotional Growth :
http://www.amazon.com/Child-Special-Needs-Encouraging-Intellectual/dp/0201407264

(1) 是一本新书,2006年出的。 (2) 是老书,但是例子多,让你明白孩子的感统(SENSORY)方面有哪些特点,你该如何针对这些特点来调整跟他的互动。
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